Stöbern
genialokal zum Startbildschirm hinzufügen
Installieren Sie die genialokal App auf Ihrem Startbildschirm für einen schnellen Zugriff und eine komfortable Nutzung.
Installieren Sie die genialokal App auf Ihrem Startbildschirm für einen schnellen Zugriff und eine komfortable Nutzung.
Tippen Sie einfach auf Teilen:
Und dann auf "Zum Home-Bildschirm [+]".
Ihr gewünschter Artikel ist in 0 Buchhandlungen vorrätig - wählen Sie hier eine Buchhandlung in Ihrer Nähe aus:
------- ----------- --------- (14 [25] ---- 1789, ---- ------, ---------- -------- — 23 ---- [5 ----] 1852, ------) — ------- -------- - ---------, -------- ---------- ------- - ---------- --------- ------. -------------- -------- -------- - ------ ---------. ----------- - ------ 1830-- ---- --- ----- ------ - ------ ------------ -------. ---- -- ------------- --------- ------ -------, -------- --- ----- ---- ----- «-------- ------- ------», ------- -- -------- -----. Mikhail Nikolayevich Zagoskin (July 25, 1789 – July 5, 1852), was a Russian writer of social comedies and historical novels. Zagoskin was born in the village of Ramzay in Penza Oblast. He began his official career as a librarian, then became part of the management of the Imperial Theatres, and lastly served as director of the Moscow Armory Museum. In the 1810s and 20s he published a series of comedies. His best known work, the historical novel Yury Miloslavsky, was published in 1829 and became the first Russian best-seller. His historical novels, including Yury Miloslavsky, were open imitations of Sir Walter Scott, and were immensely popular. Zagoskin attempted to Russify his characters and provided authentic descriptive detail; his "contribution lies in his innovative of language to create an illusion of antiquity. The dramatist in him shows through in the preponderance of dialogue over description or exposition, and in the use of colloquial speech, and the oral speech of the common people." Sergey Aksakov described the extraordinary impact of Yury Miloslavsky: We did not yet have a popular writer in the accurate and full sense of the word . . . our distance from the people and their low literacy being direct and readily apparent obstacles. [...] But Zagoskin more than anyone else can be called a popular writer. In addition to other classes, he has been read and is read by all merchant peasants able to read. . . . They tell about what they have read and sometimes read aloud to many other illiterate peasants. The enormous number of snuffboxes and printed kerchiefs with depictions of various scenes from Yury Miloslavsky carried to all corners of the Russian expanse uphold the renown of its author. (wikipedia.org)
