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This book studies Crumb's Winds of Destiny and Black Angels as artefacts of collective memory and cultural trauma. It situates these two pieces in Crumb's output and unpacks the complex methodologies needed to understand these pieces as contributions and challenges to traditional narratives of the Civil War and the Vietnam War.
Abigail Shupe is an Assistant Professor of Music Theory at Colorado State University. Her research focuses on Rameau and experimentation in Enlightenment France and George Crumb's music about death and war. She lives in Fort Collins, CO with her family.
Introduction - Crumb, The Winds of Destiny, and Black Angels - Chapter Summaries Chapter 1. Analyzing Memory and Trauma in the Music of Crumb - Methodologies - Collective Memory and Trauma - Death in Wartime - Collective Memory, Sound, Space, and Place - Memory and Musical Analysis - A Crisis of Collective Memory Chapter 2. Collective Haunting and the Civil War - Trauma and Memory - Ghosts and Memory - "Beautiful Dreamer" - "Bringing in the Sheaves" - "Mine Eyes Have Seen the Glory" - Conclusion Chapter 3. The Winds of Destiny and the Musical Grotesque - Collective Civil War Memory - Victorious Belliphonic - Creating the Grotesque: Mahler's Funeral March - Musical Grotesque - A Grotesque Musical Memorial - Conclusion Chapter 4. Black Angels, The Things They Carried, and the Vietnam War - Black Angels Reception - Notions of Truth and Narrative - Trauma, Morality, and Blurriness - Things - Happening-Truth and Story-Truth - "Night of the Electric Insects" - "Bones and Flutes" - "Pavana Lachrymae" - Return Chapter 5. Place and Subjectivity in Black Angels - Place, Wilderness, and Nature - "Night of the Electric Insects" - Placelessness - "Lost Bells" - God, the Devil, and the Morality of War - Listening Chapter 6. Conclusion: Ongoing Crisis - Ongoing Crisis of Collective Memory
