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'One of the most eloquent thinkers about our life in language' - The Sunday Times 'As lively to the ear as prose can be' - Adam Piette A Chorus of Ears is a series of essays on voice, lyric and the persona of the poet from one of our greatest living English poets. Denise Riley contemplates how a poet's public persona can hold more significance than their actual poetry in the modern literary world. She reflects on how prize culture can transform criticism into a beauty contest, and limit our ability to meet the lyric on its own terms. What might be discovered, Riley asks, if we liberate the poem from the person of the author? From where does its own voice spring? In allowing the poem to speak, what might we hear? Including a foreword by leading poet and critic Don Paterson. 'One of the great poets of our time ' - New Statesman
Denise Riley lives in London. Her prose books include War in the Nursery: Theories of the Child and Mother (1983), 'Am I That Name?' Feminism and the Category of 'Women' in History (1988), The Words of Selves: Identification, Solidarity, Irony (2000), The Force of Language (with Jean-Jacques Lecercle; 2004), Impersonal Passion: Language as Affect (2005), Time Lived, Without Its Flow (2012; revised edition 2019) and A Chorus of Ears: On the 'Voice of the Poem', 2026. Her poetry collections include Marxism for Infants (1977), Dry Air (1985), Mop Mop Georgette (1993), Penguin Modern Poets series 2, vol 10 (with Douglas Oliver and Iain Sinclair; 1996), Selected Poems (2000, revised 2019), Say Something Back (2016), Penguin Modern Poets series 3, vol 6 (with Maggie Nelson and Claudia Rankine; 2017) and Lurex (2022).
