Und dann auf "Zum Home-Bildschirm [+]".
Stöbern
genialokal zum Startbildschirm hinzufügen
Installieren Sie die genialokal App auf Ihrem Startbildschirm für einen schnellen Zugriff und eine komfortable Nutzung.
Installieren Sie die genialokal App auf Ihrem Startbildschirm für einen schnellen Zugriff und eine komfortable Nutzung.
First published in 2003 Consuming the Past covers pilgrimages to popular festivals, from modern spectacles to advertising, from the work of avant-garde painters to the novels of Emile Zola, and explores the complexity of the fin-de-siècle French fascination with the Middle Ages. The authors map the cultural history of the period from the end of the Franco-Prussian war to the 1905 separation of Church and State illuminating the powerful appeal that the medieval past held for a society undergoing the rapid changes of industrialisation.
Laura Morowitz, Elizabeth Emery
Introduction 1. The Middle Ages Belong to France: Nationalist Paradigms of the Medieval 2. Packaging the Primitifs: The Medieval Artist, the Neo-Primitif and the Art Market 3. From the Living Room to the Museum and Back Again: The Institutionalization of Medieval Art 4. The Gothic Cathedral in Fin-De-Siècle France: From Gesamtkunstwerk to 'French genius' 5. From Cathedral to Cabaret: The Popularity of Medieval Stained Glass and Tapestries 6. Marketing the Sacred: Medieval Pilgrimage and the Catholic Revival 7. Feasts, Fools and Festivals: The Popular Middle Ages Conclusion Notes Selected Bibliography Index
