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When Emily Wilson's translation of The Odyssey appeared in 2017-revealing the ancient poem in a contemporary idiom that was "fresh, unpretentious and lean" (Madeline Miller, The Washington Post)-critics lauded it as "a revelation" (Susan Chira, The New York Times) and "a cultural landmark" (Charlotte Higgins, Guardian) that would forever change how Homer is read in English. Now Wilson has returned with an equally revelatory translation of Homer's other great epic-the most revered war poem of all time. The Iliad roars with the clamour of arms, the bellowing boasts of victors, the fury and grief of loss and the anguished cries of dying men. It sings, too, of the sublime magnitude of the world-the fierce beauty of nature and the gods' grand schemes beyond the ken of mortals. In Wilson's hands, this thrilling, magical and often horrifying tale now gallops at a pace befitting its legendary battle scenes, in crisp but resonant language that evokes the poem's deep pathos and reveals palpably real, even "complicated," characters-both human and divine. The culmination of a decade of intense engagement with antiquity's most surpassingly beautiful and emotionally complex poetry, Wilson's Iliad now gives us a complete Homer for our generation. Specially bound paperback edition, with deckle-edging (rough-cut) pages and French flaps.
HOMER's identity is shrouded in mystery. Most scholars agree that an epic poet named Homer likely existed anywhere between 900 to 700 B.C.E. Legend, originating in antiquity, says that Homer was a blind bard from Ionia, but no account of Homer's life can be verified. The Iliad and The Odyssey, the two epic poems attributed to Homer, which take place during the Trojan War and its aftermath, were derived from the oral storytelling tradition. Their method of composition-either by a single author or several bards working in tandem-remains unknown. The Homeric Poems are among the most significant narratives in the Greek and Western literary canon.
