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A concise survey of Susan Meiselas's documentary photography.
Best known for her work documenting the political upheaval in Central America during the 1970s and 80s, American photographer Susan Meiselas has been at the forefront of ethical debates around documentary photography for most of her career. Through close engagement with subjects such as war and exploitation, she has interrogated her own relationship to what she's photographing, the circulation and dissemination of these images, and the pivotal questions around social and cultural representation and memory. Her influential contribution to the way audiences approach and engage with photography is as vital and resonant today as it was 40 years ago.
This book in the Photofile series also includes short texts by Meiselas herself accompanying each of the 74 works.
The Photofile Series
Photofile brings together the best work of the world's greatest photographers in an attractive, accessible, pocket-sized format. Handsome and collectable, the books are printed to the highest standards. Each one contains over sixty full-page reproductions printed in superb duotone, together with a critical introduction and a full bibliography.
Marta Gili is an art critic and exhibition curator. She was previously director of the Jeu de Paume, Paris (2006-2018), and director of the École nationale supérieure de la Photographie in Arles (2019-2023).
