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Inspired by the philosophy of Wittgenstein and his idea that the purpose of real philosophical thinking is not to discover something new, but to show in a strikingly different light what is already there, this book provides philosophical readings of a number of 'arthouse' and Hollywood films.
Rupert Readis Associate Professor of Philosophy at the University of East Anglia, UK. He is a former spokesperson for Extinction Rebellion collective, an environmental activist and a former Green Party councillor. His most recent books include Extinction Rebellion: Insights from the Inside(with Samuel Alexander) (2020), This Civilisation is Finished: Conversations on the end of Empire - and what lies beyond (2019) and A film-philosophy of ecology and enlightenment(2018).
Introduction: Film as Freedom: The Meaning of Film as Philosophy 1. Implicating the Narrator, Implicating the Audience: Waltz with Bashir and Apocalypto 2. How to Represent a Past We Would Rather Forget: Hiroshima Mon Amour and Last Year at Marienbad 3. Learning from Conceptually Impossible Versions of Our World: Never Let Me Go and The Road 4. When Melancholia is Exactly What is Called For: Melancholia and Solaris 5. Gravity's arc; or Gravity: A Space Odyssey 6. The Fantasy of Absolute Safety through Absolute Power: The Lord of the Rings trilogy and Avatar Conclusion: What have we learnt?
