Bosnian Girls, Art, and Nationalism

Uroš -voro is Associate Professor in Art Theory at UNSW Sydney. His research interests are contemporary art and politics from the region of Former Yugoslavia, cultural representations of nationalism and post-socialist and post-conflict art. His books include Post-Conflict Monuments in Bosnia and Herzegovina (2020), Transitional Aesthetics: Art at the Edge of Europe (2018), and Turbo-folk Music and Cultural Representations of National Identity in Former Yugoslavia (2014). With Kit Messham-Muir, he is co-author of Images of War in Contemporary Art (2021) and The Trump Effect (2022).

Introduction; 1. Bosnian girls and red feminism against militarist patriarchal nationalism 2. Care in the work of BiH feminist artists 3. Tradition against patriarchy in the work of Sandra Duki-, Lala Raš-i-, and Selma Selman 4. Feminising the Gastarbeiter in the work of Mila Pani-, Saša Tati-, and Alma Gäanin; Afterword